Mary Jo Salter's 2024 volume fizzes with the potential of debut poets, the sprezzatura of journeyman accomplishment, and the depth of old masters. Intriguingly, Salter singles out a number of longer poems for inclusion, I think putting her finger on a recent trend. As the series initially intended, we get a generous survey of what is happening in American poetry today, and a sense of whence (journals) and by whom (poets) the best work is coming. Unlike some prominent American poetry magazines, we also have a sense of the editor's (Salter's) idiosyncratic taste and aesthetic, which is wide ranging, but focused on craft rather than, say, identity or political orthodoxy.
A. E. Stallings, Oxford Professor of Poetry
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The Best American Poetry series is “a vivid snapshot of what a distinguished
poet finds exciting, fresh and memorable” (Robert Pinsky); a guiding light for
the mood and shape of modern American poetry. Each year, this series presents
essential American verse and the poets who create it. Truly the “best” American
poetry has appeared in this venerable collection for over thirty-five years.
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